Cardiovascular Disease Essay - 1716 Words

In todays world, there is a rise in the US population adopting unhealthy lifestyles that lead to cardiovascular disease (CVD).1, 2 Stroke and coronary heart disease are the two leading health conditions and leading cause of death in established countries. However, these two types of cardiovascular disease have identifiable risk factors that can be modified to reduce the risk of developing CVD.3 Additionally, due to an increase in the prevalence of obesity, primary prevention for CVD is catching the attention of many healthcare professionals.1, 2 Continuous support from providers regarding CVD prevention is necessary to increase low-risk behaviors in individuals that are especially at risk for CVD.1 It has been reported that introducing†¦show more content†¦They address risk factors and educate patients on ways to modify these factors. Exercise programs, physical therapy, and nutrition counseling are resources that can be recommended. To increase the likelihood of patient pa rticipation in such programs, clinicians must be encouraging and assist patients with ways to overcome external barriers that keep patients from participating.8 Primary providers can discuss and identify barriers and lifestyle influences which can be changed to reduce a patient’s high-risk behaviors and participation in necessary programs.6 One study established an ABC’s guide as an easy way for clinicians to remember the major points of CVD risk factors that need to be addressed during each patient’s visit. Beginning with A, the clinician should assess the patient’s risk factors and consider antiplateletShow MoreRelatedThe Occurrence Of Cardiovascular Disease Essay2112 Words   |  9 PagesOccurrence of Cardiovascular Disease Vital signs are an important measurement for a general assessment of a patient’s overall cardiovascular risk. The use of vitals signs should be regularly incorporated in the practice of physical therapy like other settings of the health care as a pre-screening measure. Vital sign assessment provides invaluable information to determine if the patient’s health is appropriate for physical activity or if the patient needs to be further assessed for cardiovascular healthRead MoreSymptoms And Treatment Of Cardiovascular Disease1247 Words   |  5 PagesStates suffer from some form of cardiovascular disease and almost eight million people die each and every year from it(Meyers). This realization is incredibly disheartening. Cardiovascular disease includes conditions that involve narrowed or blocked blood vessels that can lead to a heart attack, chest pain or stroke. Other heart conditions, such as those that affect your heart s muscle, valves or rhythm are also considered fo rms of heart disease. The threat of heart disease in America is rising day byRead MoreEssay on Nutrition Therapy for Cardiovascular Disease1536 Words   |  7 PagesNutrition Therapy for Cardiovascular Disease It is imperative as a nurse to develop an understanding that caring for a patient goes beyond the physical care given and it includes a holistic aspect: caring for the body, mind and soul. This holistic approach can be applied when assessing patients’ nutritional status and helping them implement healthy life choices, while living with a disease and possibly the comorbidities caused by the disease. Specifically, cardiovascular disease (CVD) and the comorbiditiesRead MoreCardiovascular Disease Is The Number One Killer1696 Words   |  7 PagesCardiovascular disease is the number one killer in the United States, causing about 610,000 deaths yearly (Center for Disease Control and Prevention, 2015). Cardiovascular disease is defined as a group of disorders damaging the heart and blood vessels, usually involving the blockage of vessels, which in turn harm the heart (WHO, 2015). A 2011 American Heart Association statement predicted that without intervention, 40% of United States adults will have at least one form of Cardiovascular diseaseRead MoreUnderlying Risks for Cardiovascular Disease Essay1653 Words   |  7 PagesSince 1960 the age-adjusted mortality rates for cardiovascular disease (CVD) has declined steadily in the U.S. due to multiple factors, but still remains one of the primary causes of morbidity and premature mortality worldwide. Greater control of risk factors and improved treatments for cardiovascular disease has significantly contributed to this decline (Centers for Disease Control and Prevention, 2011). In the U.S. alone it claims approximately 830,000 each year and accounts for 1/6 of all deathsRead MoreCardiovascular Disease : A Disease That Affects The Heart And Blood Vessels1910 Words   |  8 PagesCardiovascular disease is a disease that affects the heart and blood vessels which may cause various problems relating to the blood flow to the heart. Many complications arise from cardiovascular disease, which may lead up to other li fe threatening illnesses such as heart attack or stroke. According to the American Heart Association a heart attack occurs when the blood flow of blood to part of the heart is blocked by a blood clot; if the clot cuts the flow of blood part of the heart muscle beginsRead MoreCohort Follow-u`Studies: Cardiovascular Disease1291 Words   |  5 PagesCohort Follow-up Studies – Cardiovascular Disease: Cardiovascular disease is the major cause of death and mortality across the globe, especially because of its increase in low and middle income countries. The disease is commonly referred to as heart disease since it’s a group of diseases that involve the heart, blood vessels or both. Generally, the disease involves abnormal functioning of the heart of blood vessels, which increases the risk of heart failure, heart attack, cardiac rhythm issuesRead MoreCardiovascular Disease : The Congestive Heart Failure, Stroke, And Coronary Heart Disease Essay1752 Words   |  8 PagesIntroduction Cardiovascular disease comprises the congestive heart failure, stroke, and coronary heart disease. These conditions have continued to be the major causes of morbidity and mortality in the United States of America today. The occurrence of cardiovascular diseases is influenced by various factors such as physical, political, environmental, and social factors (Kochanek, 2011). These factors entail access to quality and affordable health care services, affordability to healthy diets, conditionsRead MoreCardiovascular Disease And Lifestyle :852 Words   |  4 PagesCardiovascular Disease and Lifestyle Part One: There are multiple factors that lead to the development cardiovascular disease. While some individuals are born with conditions that predispose them to strokes or heart disease, a majority of people participate in a combination of risk factors that lead to the development of cardiovascular disease. A few of those risk factors include a lack of physical activity, smoking, and poor diet. The more frequently individuals expose themselves to these riskRead MoreCardiovascular Diseases : A Health Challenge946 Words   |  4 PagesCardiovascular diseases continues to be a lingering health challenge globally (WHO, 2014) and also in the United States (CDC, 2014). Major efforts are geared towards tackling this health challenge; reducing the disease burden, addressing the underlying factors, as well as the risk factors. Preventing the onset of cardiovascular disease is the best approach and education is the most formidable tool for achieving the best results. For some individuals however, who already have cardiovascular diseases

Comparing Culture in Everyday Use, AP, and Blue Winds...

Culture in Everyday Use, A P, and Blue Winds Dancing Alice Walker, John Updike, and Tom Whitecloud write stories in which culture plays an important role in many aspects of the conflict. In each story, a particular ethnic, occupational, social, gender, or age groups culture may be observed through characters actions, thoughts, and speech. The decisions the characters make to resolve these conflicts in Everyday Use, A P, and Blue Winds Dancing are affected by the characters cultural experiences. In fact, the conflict itself may be about clashing cultures or entirely generated as a result of cultural experiences. A characters culture continues to guide him as he tries to resolve the conflict. In short, culture heavily affects†¦show more content†¦A clash over culture ensues when Dee is not. This conflict is over whether one should live her heritage like Maggie and mother, or use her heritage, like Dee. In fact, the narrator seems to indicate that she feels Dee is just doing what is trendy when she thinks, I didnt bring up how I had offered Dee {Wangero} a quilt when she went away to college. Then she told me they were old-fashioned, out of style (89). Adding to the conflict are occupational, social, and age differences among the mother and Dee and Hakim-a-Barber, Dees acquaintnace. The latter are young socialites who are attending college a ways away. The narrator, on the other hand, is an old, burley farm woman who claims to have knocked a bull calf strait in the brain between the eyes with a sledge-hammer and had the meat hung up to chill before nightfall (84). Hakim-a-barber sees things differently. He says, ... farming and raising cattle is not my style (88). These differences contribute to the conflict as the young and old do not see eye-to-eye. When these conflicts are resolved, a theme that one should live his culture, rather than using it to personal gain, rises because Maggie gets the quilts. Through the characters actions, a message is communicated that mother wants her family to live its cultu re. She comments after making her decision, [T]he two of us just sat there enjoying... (90). They enjoyed their culture; they lived it. In this way, the culture plays a heavy role in Alice WalkersShow MoreRelatedMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesUnited States of America 09 08 07 6 7 8 9 10 Library of Congress Cataloging-in-Publication Data Metz, Christian. [Essais sur la signification au cinà ©ma. English] Film language: a semiotics of the cinema / Christian Metz: translated by Michael Taylor. p. cm. Translation of: Essais sur la signification au cinà ©ma, tome 1. Reprint. Originally published: New York: Oxford University Press, 1974. Includes bibliographical references. ISBN 0-226-52130-3 (pbk.) 1. Motion pictures—Semiotics. 2. Motion pictures—Read MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesOrganizational Behavior This page intentionally left blank Organizational Behavior EDITION 15 Stephen P. Robbins —San Diego State University Timothy A. Judge —University of Notre Dame i3iEi35Bj! Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City Sao Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo Editorial Director: Sally Yagan Director of Editorial Services:Read MoreLogical Reasoning189930 Words   |  760 Pagesattribute the work in the manner specified by the author, namely by citing his name, the book title, and the relevant page numbers (but not in any way that suggests that the book Logical Reasoning or its author endorse you or your use of the work). (2) Noncommercial You may not use this work for commercial purposes (for example, by inserting passages into a book that is sold to students). (3) No Derivative Works You may not alter, transform, or build upon this work. An earlier version of the book wasRead MoreMarketing Mistakes and Successes175322 Words   |  702 Pageshttp://www.wiley.com/go/permissions. 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Diane Arbus Free Essays

Diane Arbus was originally born Diane Nemerov on March 14, 1923 to David Nemerov and Gertrude Russek Nemerov. She was the daughter of a wealthy New York businessman. Her family owned Russeks department store on Fifth Avenue, allowing Dian a pampered childhood. We will write a custom essay sample on Diane Arbus or any similar topic only for you Order Now As a member of a prominent New York family, she grew up with a strong sense of what was â€Å"prohibited† and what was â€Å"acceptable† in high society. Diane’s world was a protected one, with little adversity; yet this very lack of adversity made her feel as thou she was living in ungrounded world. As funny and different as it may seem, the ability to have a comfortable life was somehow painful for her. An extremely shy child, she was often fearful but told no one of her scary daydreams and nightmares. From what I gather her closest relationship was with her older brother, Howard. For Jr. High School, the seventh through the twelfth grade, Arbus attended Fieldstone School in the Riverdale section of the Bronx. At Fieldstone she became interested in public spectacles, rituals, and myths; ideas, which would later influence her photography work. Here she also devoted much of her time and energy to art class sketching, painting, and clay sculpture. During this period of her life, Arbus and several of her friends began exploring the city of New York. On their own they would take the subway, getting off in unfamiliar areas, Brooklyn or the Bronx. They would go out to observe and following interesting or unusual passers. At the young age of 14 Diane met her future husband. Allan Arbus, a 19-year-old City College student who was employed in the art department at Russeks, her father’s store. They say it was love at first sight for the young happy couple. Her parents obviously disapproved, as he was not of the same wealth class. However their disapproval only served to heighten Diane’s conviction to marry him. Diane saw in marriage a way to escape from all that was restricting and oppressive in her family life. In many ways, Allan represented the freedom she had been searching for. They were married, on April 10, 1941, with only their immediate families present. At the start of their new lives, to ease financial burdens her husband Allan supplemented his income by working as a salesman and also by doing some fashion photography. Diane Arbus soon became his assistant. World War II came and Allan was sent to a photography school near Fort Monmouth, New Jersey. Soon after Arbus relocated to nearby, Red Bank, and set up a darkroom in their bathroom. As a way to learn Allan taught her everything he was learning in school. May of 1944 came and Allan was transferred to another photography school in Astoria, Queens. By this time Diane was pregnant. She was having their first child, Doon Arbus, who was born April 3, 1945. During the 1940s however, Arbus briefly studied under photographer Berenice Abbott. Learning all she could about photography she and her, husband teamed up as fashion photographers. Their first customer was her father’s business, Russeks. They were first published in the magazine May 1947 issue of Glamour. This would mark the beginning of a long association with (Conde Nast publishing) firm. Their forte was shooting models in motion. For some reason, the Arbuse’s despised the shallowness of the fashion and the magazine industry. Working in the fashion industry with all the glamour and glitz brought her lots of stress. During this period her only real joy was photographing friends and relatives. She would often wear a camera around her neck at friend and family events. On April 16, 1954, Diane became a mother for the second time. She gave birth to her second daughter, Army Arbus. Now in addition to her fashion work she was also photographing children. She would go out to Spanish Harlem in New York to photograph stranger’s children. In the 1950s she also found herself increasingly attracted to nontraditional people, people on the fringes of normal society. This new avenue provided a release from the oppression felt in the fashion world. During this time of her life she also suffered from recurring bouts of depression. Due to her mental state in 1957 the couple decided to make a drastic change. He would continue to run their fashion studio, leaving her free to find and photographic subjects of her own choosing. Diane began attended Alexey Brodovitch’s workshops at a New School. However Arbus found herself drawn to the work of photographs like (Weegee) Arthur Fellig, Louis Faurer, Robert Frank and, especially to the unusual pictures of Lisette Model. In 1958 Arbus enrolled in a class, Model was offering at a New School. It was during this period Diane decided, what she really wanted to pursue photographing â€Å"the different. † She saw her camera as a sort of all access pass, that allowed her to be curious, nosy, and to explore the lives of others. Gradually she overcame her shyness. She enjoyed the ability of going where she never gone before as she did as young child. She would enter the lives and homes of others and confronted that which she had never had in her own overprotected childhood. Her teacher Model taught her to be specific, that if you pay close scrutiny to reality it produces something fantastic. In her early projects, she undertook photographing what she referred to as â€Å"freaks. † She responded to them with a mixture of shame and understanding. For some reason she always identified with her subjects â€Å" the freaks† in a personal way. You could refer to Arbus’ â€Å"specific subject matter† as â€Å"freaks, homosexuals, lesbians, cripples, sick people, dying people, and even dead people. † Like Weegee instead of looking away from such people, as do most of us, she looked directly at these individuals, treating them as a serious part of humanity. As a result, they opened their arms to her as one of their own making her work original and unique. In1960, When Arbus and her husband separated, her work became increasingly independent. During that period she began her series of circus images, photographing midget clowns, tattooed men, and sideshow freaks. Diane was frequently seen at Hubert’s Freak Museum at Broadway and 42nd Street, fascinated by the figures she saw. To build a repot she returned again and again until her subjects knew and felt comfortable around her. She also frequented the Times Square area, getting to know the thugs and bag ladies. Arbus’s style, was to pose her subjects, them looking directly into the camera, just as she looked directly at them. For her, the freaks were always more important than the picture. She said, â€Å"I don’t like to arrange things; I arrange myself. † She was a firm believer that there were things in life everyone overlooked and no one would ever see, unless she photographed it. In the early 1960s Arbus began to photograph, nudists. She visited nudist camps in New Jersey and Pennsylvania, were she agreed to take her clothing off in order to be allowed to stay with them. This period was particularly productive for her, 1962 to 1964. It was during this period Arbus’ won her first Guggenheim fellowship for a project on â€Å"American rites, manners, and customs†. Of Arbus’ pictures three were shown in John Szarkowski’s 1965 show at the MOMA, (Museum of Modern Art) â€Å"Recent Acquisitions†. There were two from her series on nudists and one of two female impersonators back stage. These honest images shocked and often repelled Viewers. Later her work was included, along with that of Lee Friedlander and Garry Winogrand, in Szarkowski’s â€Å"New Documents urvey of 1967)† exhibition at the MOMA. The show, which opened March 6, marked the pinnacle of her career while she lived. It included some 30 examples of her work. Critics called her â€Å"the wizard of odds. â€Å", â€Å"the peeping Tom in all of us. † From 1966 on Arbus struggled with bouts of hepatitis, which often left her extremely depress ed. In 1969, Allan Arbus, her life long partner, formally divorced her leaving her devastated. He married Mariclare Costello soon after the divorce. To cope with this difficult period Arbus photographed many influential figures of the 1960s: F. Lee Bailey, Jacqueline Susann, Coretta Scott King. Diane Arbus committed suicide in her New York apartment on July 26, 1971. In 1972, a year after she committed suicide, Arbus became the first American photographer to have photographs displayed at the Venice Biennale. Her show broke the attendance record set by the Edward Steichen’s noted 1955 photographic exhibit Family Of Men which did include a photograph by the Arbuses of a father and son reading a newspaper, Millions of people viewed traveling exhibitions of her work in 1972-1979. In 2003-2006, Arbus and her work were the subjects of a another major traveling exhibition, Diane Arbus Revelations. In 2006, the motion picture Fur, starring Nicole Kidman as Arbus, presented a fictional version of her life story. To this day her work continues to draw discushions and provoked controversy. Norman Mailer was quoted in 1971 as saying â€Å"Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. â€Å" How to cite Diane Arbus, Papers

Politics in the Lyrics of Bob Dylan-Free-Samples for Students

Question: Discuss about the Poltics in the Lyrics of Bob Dylan. Answer: Political ideologies and beliefs have always remained one of the biggest and most intriguing source of song writing throughout the ages. Different socio-political issues have instigated numerous song writers and lyricists to write volumes of poetry and songs that have moved generations and have spearheaded movements. The American movements against the war in Vietnam is one of the best instances of this phenomenon, that had shaken the world and is still one of the most influential periods in terms of protest music, and the two most notable song writers from that time were Pete Seeger and Bob Dylan. Bob Dylan had always incorporated themes about the society and the world as he had seen it. He is less a singer and more a poet who had fueled generations of youths to make a stand and, if necessary, defy the authority of the government across all the countries in the world (Scott). Politics has remained, though he claims that it has been achieved unknowingly and happened subconsciously, a big part of the lyrical content of Dylans lyrics. The sheer quantity of the music that Bob Dylan has written over the decades makes it a trying task to look over all the songs. Still, the rewards of doing so far outweighs the effort that has to be put in, and has a reward of its own that may prove to be essential to form a worldview that is bigger than the life of any single individual as well as give a more or less chronological idea, albeit often being heavily dependent on emotion and passion rather than facts and statistics, about the socio-political condition of the world over a period of almost half a century (Arvidsson). The lyrics of songs like Maggies Farm or Subterranean Homesick Blues have highly motivated political views and definitely points towards the social structure of the world. The startling that is to be pointed out noticed here is that this structure and condition have not changed much since the last decades and the higher segment of the society still milks the lower segments in the same way that they used to. While songs like Its Alright Ma blatantly portrays the fallacy of the society and the hypocrisy of the people, it also assures the listener that the ones who are being accused of crimes against the society must answer one day, they will have to stand in front of masses who will be asking for the answers(Hughes). The hope is personified in The Times They Are A-changin. The political range of Dylans lyrics are not contained only within themes of wars and protests, which did earn his songs the reputation to be referred to as protest songs, but crossed contemporary borders and barriers that were often frowned upon in the times when they were released (Miller). His 1969s album Nashville Skyline contains the song Lay Lady Lay, which is a pivotal argument in favor of gender politics and is a supreme call for gender equality. His gradual change over the times have been perfectly captured in the changes in the ways his songs have been sung through the ages: thirty years after Nashville Skylin e came out Time Out of Mind, where he is seen to be almost broken and brooding over his unrequited love in a dimly lit bar. Dont Think Twice, Its All Right: a song that is set to console people who are broken and battered, telling them that things will most surely settle down, no matter how bleak the sky looks. In the early 1960s, Dylan had incorporated folk tunes to talk about the contemporary issues, which gave him a large recognition (Cott) However, it was only after Joan Baez started singing his songs, did he started to gain more reputation as a prolific songwriter who used simple grammar and everyday language was his weapon to deliver even the most important and pressing issues in a hard hitting way that would rattle the people to their bones (Hughes). The sordid contemplations that Dylan has done at times over the incapability of the governmental bodies to deliver the promises that were made to the people would be sure to make even the most poignant person, who believes in the teachings and theories of Nietzsche about morbid nihilism, to feel miserable and would most certainly propel the person to t ake a stand and voice his respite against the authorities (Goss and Hoffman). However, Dylan has always maintained a stand point from where he has never bothered to give any sort of explanations to any of his songs, nor has he ever tried to defend any of his songs (Browning). He is the last person to conform to any sort of -ism and is even less interested to undergo any self-analysis or set a discourse for anyone to tiptoe around his works: he has always stayed transparent in his own ideologies and have wanted his songs to be a mere reflection of his own beliefs, without the least bit of pretention(Arvidsson). Dont Think twice, Its All Right is also a song that dabbles into the male-female dynamics and depicts of a power shift for towards the female and completely obliterates the allegations of his songs being patriarchal for his other songs have already have proven him to be more tender than most ever can dream to become (ODair). Bob Dylan is one of those songwriters who have been the least contaminated by the allegations of the fans which condemned the artist to deviate from the roots of his musical origins(Taylor and Israelson). Dylans lyrics and music have been the driving force for people across the planet who have taken a stand against the atrocities of the government. The tremulous times of the Vietnam war had given him the platform that he had needed to catapult him to fame as an important face in world politics, which had the ability to sway public opinion against the war that was ravaging a country across the oceans(Scott). Dylans songs were ranging a number of themes and not just solely focused upon politics. To Ramona is one of the best examples of the personal pain he has experienced and endured. However, most of his songs have political premise and are foregrounds for movement to gain momentum (Taylor and Israelson). His political affiliations have never been very clear but there has never been much shrouds of doubts over his beliefs and his clear stand against what is wrong and being a vehement advocate of everything that is right and morale. While there is a staunch debate among critics and listeners alike regarding whether a song can actually be political in nature or are they simple hoaxes to ensure better sales of the records and albums, there should not be any doubt about the political orientations and stance of the songs of Dylan. Over the years, throughout history itself, Dylan has remained one of the most influential songwriters of all time and the lyrical contents have remained highly significant in shaping the course of movements and countless other issues everywhere; inspiring cohorts of other artists to follow in his footsteps, most of whom, despite being mesmerizing in their own right, have fallen short to reach his level of skill and relevance. Bob Dylan is more than just a poet or a songwriter who fueled movements and gave voice to the oppressed: he is a lifestyle, an ideology and a way to view the world, which are going to live long after the artist himself is gone, and would be inspiring future generation in the same ways they have been doing so for the decades, now a bygone era. References Arvidsson, Alf. "Political Rock. Edited by Mark Pedelty and Kristine Weglarz. Farnham: Ashgate. 2013. xxv+ 223 pp. ISBN 978-1-4094-4622-4."Popular Music35.3 (2016): 436-438. ODair, Barbara.Bob Dylan and gender politics. na, 2009. Browning, Gary. "Bob Dylan: the politics of influence."Popular Music History8.2 (2013). Cott, Jonathan, ed.Bob Dylan: The Essential Interviews. Simon and Schuster, 2017. Goss, Nina, and Eric Hoffman, eds.Tearing the World Apart: Bob Dylan and the Twenty-First Century. Univ. Press of Mississippi, 2017. Hughes, John.Invisible now: Bob Dylan in the 1960s. Routledge, 2016. Miller, Stephen Paul. "The Moment Bob Dylan Became Nobel-Laureate-Worthy, the Sixties Began."Popular Music and Society40.2 (2017): 249-253. Scott, Carl Eric. "What Bob Dylan Means to Literature, and to Song."Modern Age(2017). Taylor, Jeff, and Chad Israelson. "Bob Dylans Roots and Traditional World."The Political World of Bob Dylan. Palgrave Macmillan US, 2015. 1-41. Taylor, Jeff, and Chad Israelson.The Political World of Bob Dylan: Freedom and Justice, Power and Sin. Springer, 2015.